from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
oslo-based, icelandic producer, b.g. baarregaard, returns to whiskey disco for his third solo ep, disco inn. the title song features a talented roster of icelandic-via-oslo musicians. inga Þyri coos blissful harmonies atop a deep groove comprised of electric guitar chucks by sigurður guðmundsson and organ and bass by baarregaard. this deep groove will work those balearic moments to-a-tee. on the reverse, undercover lover exposes rnb style vocals, delayed claps and bass groove on the outside cut and country style guitar sitting comfortably next to 303 acid on the inside for kaffibarinn, an homage to the legendary reykjavik music venue.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
rabo & snob eschew the worn rhythms of disco injecting a heretofore unheard blend of middle-eastern rhythm mixed with western influence. equal parts studio musician and disco academia, this tel aviv duo know their history and can see the future. here we come is an appropriate maxim on their maiden vinyl release. these two weave a groove combining original and sampled elements to create a three track ep, each cut as strong as the next.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
not one to overstate the obvious, the disco scene is fairly obsessed with the cosmos. whiskey disco #31, offers four more reasons to space dance! hristo sets course for the stars with x-otic love, an unhinged and epic ride from funky start to euphoric end. next up is enigmatic editor, satisfaction, love & passions edit, dance (dance, dance), a cut sent to us under the veil of night with no return address. for the return, we cruise towards home with detroits rising star, pontchartrain as he guides us through some lesser known italo-influenced, synth heavy and floor packing reworks, be my lover + dance with me.

the loose control band are dj spun and jonah sharp. if you know, you know. if you dont - google that shit! first in a string of killer releases on golf channel, singlehandedly spearheading the breakbeat revival while simultaneously tunnelling deep into the underground for a sublime a side house cut golf channel every time!

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
like any good meat n three, whiskey disco #30 is open 24 hours. this blue plate special is served by the enigmatic breakfast lunch & dinner. a delectable disco collation on the a platter, try my love delivers right to your doorstep. on the other side, miracles and tonight offer second and third helpings of an already bountiful feast. who is in the clean plate club?

the prolific lord of the isles (aka scotlands neil mcdonald) has had a string of stunning 12 inches over the past few years on labels such as permanent vacation, unthank, shevchenko, mule and of course his four track > year of the city ep< on phonica, which was widely acclaimed upon its release in 2012. this time loti presents two long-form tracks, each a mini-masterpiece in itself. the 10 minute plus >greane< bursts into life after an intro of kicks and white noise hi-hats. it continues to slowly build, with pitch-bent synth lines and a pulsing bass-line making way for a melacholic shift in mood. truly original stuff! on the flip, a swirl of synthetic strings introduces ‘gigha’, in a manner that brings to mind rhythm is rhythm’s legendary ‘kao-tic harmony’, before the drums and infectious acid-line join in. over the 8 minutes they continue to interweave and play off each other to dazzling effect. artwork by jack featherstone, the designer of a number of sleeves for border community (including the highly praised campaign behind james holden’s ‘the inheritors’, its singles and live visuals), electric minds, warm and of course, phonica.

if youve been even the most casual participant in or observer of the nyc dance music and club scene over the past decade, youve most definitely encountered luca venezia, a.k.a. curses, who once was better known as drop the lime, a central figure in the trouble & bass crew. where dtl was all stripped and chewed dubstep and grime, curses is clearly of a house bent, albeit one thats been cut with plenty of heavy bass, breakbeat-leaning drums, and a frantic energy that one wouldnt find on classic chicago 12inches.

reform is the first work by stave. the album is an exercise in precision and spacialization, with isolated electronics and icy beats producing a grisaille of vaporized metals. tracks move from disembodied murk and blunted pulses to sustained forcefulness. touch points include techno, ambient and industrial predecessors, all bent gravitationally towards a dark, cold and unsettling soundworld.
the vinyl lp includes a download code for the full album.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #28 lost in the crowd by olivier boogie showcases the dutch masters skills with the knife. he has created a 4 color palette that will leave crowds besot with boogie fever.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #27, ladykillers ep by yse saint laurant. yse drops a sprinkling of femme fatale themed edits for this, his third full ep, on whiskey disco. whatever your saturday night plans, this ep will have something suited. the low slung, synth-riddled sunset woman, the groove driven and emotive crying woman both sit snug on the a side, leaving the b side for even more left-of-center grooves of ghetto woman and psychodelic woman. this ep further cements the foundation of yse as an amazing editor, producer and … ladykiller.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #26 dreams of the future. we went searching in outer space and found disco. whiskey disco alum, osmose, is joined by newcomers terrence pearce, mr mython and falcon punch on this 4 song compilation of standup, get down disco and boogie edits.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #25: it started in 2009 when a friend rang sleazy mcqueen and asked to *press some of those edits he has been making* and has now reached its 25th vinyl release. time flies when you are having fun - and fun has always been the cornerstone of whiskey disco. back to the roots ep exemplifies the label mission and the disco hippies who cherish it. loops filtered, space rocked and jam band, whiskey disco has made a mark on the edit scene that few can dispute and we have only just begun.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #24: this limited edition 10 inch was inspired by the 1979 cult movie, the warriors. with sound bites from the original movie and splicing of themes, sleazy mcqueen has created an ode to this timeless electronic & trippy disco soundtrack. the only thing in question is, can you dig it?!

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #23 tugs at a variety of tempos. brother in arms is the new project between bay area selectors j boogie and deejay theory. they have armed us with two supremely sexy joints, both clocking in at the right tempo for fireside cohort. the flip also introduces a new duo, paradise valley, comprised of famed canadians the noodleman and fake glasses. they take the tempo to the north with subtle acid disco licks, it is music to the ears at whiskey disco towers ...

b-stock! cover with seam split and bent corner. longstanding zoo artist lee pennington presents his first solo ep on the label. comes with romping, stomping berghain esque remix by spencer parker. already the most forward thinking music project ever to hit the island of ibiza, channel zoo was initially an event offering a variety of cutting edge new sounds, provided by the unrivaled underground house and techno record labels of the future. with rapid development from ibiza into hosting channel zoo events at the most prominent clubs in europe featuring only the best artists it was only a matter of time before a serious imprint was established. channel zoo recordings will showcase and push future artists that are keeping music real and fresh without any hype or marketing gimmicks. expect to see and hear a gathering of devoted producers and artists as channel zoo recordings is predicted to make a real impact in electronic music ...keep locked on!

titonton duvante is back with his classic touch of deep percussive funk, dreamy undercurrents, bent strings and sharpened metallic sounds. hinode is a rising italian duo currently residing in berlin, and they have produced a fresh acidic remix of provovative.maarten mittendorff and jasper wolff are talented djs, producers and label-owners, and produced an uptempo remix with their typical detroit style.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #22 features the second ep from b.g. baarregaard, a wonderful producer currently residing in oslo, but who is never too far from the blue lagoons of his home in iceland. b.g. has produced three sublime songs. the sound is an acid freak out of love de-luxe. it grabs and loops, hooks and tugs at your ears, then feet until you, you know. on the flip, the return both promises and delivers a mark morrison had he stayed in miami rather than returning to england. b.g. uses the third song to showcase his own song and instrumental skill in the desire. there is a magic in the air, that keeps us dancing.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #21 is brought to you by your future lovers, tomas malo, atnarko, andrew clarke and space coast. these folks have futurified some heavy love affairs ranging from disco to rnb. this machine has soul, baby!

new sheffield label shabby doll records makes its debut with nails donks ep. nail is nottingham-based neil tolliday, a producer who spent the last decade creating deep downtempo joy as one half of bent – their debut album *programmed to love* helped ease the worlds ills back in 2000. now, with love for nails solo manoeuvres truly reignited, sheffields shabby doll label is taking the next step with his first new solo material for years. called donks, nails new four-track ep showcases his flawless dancefloor instincts: there is something deliciously seductive about this early hours charmer. one to play when things are getting wonderfully weird… and finally, never4gedit brings back the sunshine with some sweet, melody-flecked disco. with nails vintage house output currently proving to have real staying power, lovers of real british house music eagerly await his new tracks. so if you have got a dark room and a feeling, let nail, shabby doll and donks add a little magic to the night.

hot two tracker featuring solid techno grooves and pumping chords on breathe with driven analogue percussion, pads and circuit bent robot voices on memory flash. support from those who know!

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #20, swimwear ep marks the second ep from yse saint laurant. we here at whiskey disco hq have a strong appreciation for sunny weather and the appropriate soundtrack, and why not, we are based in florida and never too far from sand and sun. yse is a kindred spirit with his glowing boogie down and disco jams, each one is top notch and we know regardless of your geographic whereabouts, this ep will work for you day, park, pool, beach and early night sets. go grab your suit, the water is warm and the drinks are cold.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #18, cut me gently by beard in dust comes from behind the iron curtain. on a recent tour of russia, sleazy mcqueen had the fortune of meeting a friendly moscovite with an excellent selection of re-edits gathering dust on the hard drive. from the stab- centric *it shouldnt work, but it does* re-edit of grapevine to the cosmic groover, revolution in morder, the straight up boogie of highest mountain and the laidback ease of cant get enough-- more than most, this really does offer something for all (groovy) dancefloors.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #17 is an all-out return to the glory of filtered disco house! it is packed with disco breaks and cut ups, some recognizable and some obscured through time. pairing the editing fire of eddie c and alkalino on the a side and the groove-based filtering of cole medina and osmose on the b-side. make no mistake, each of these will fit perfectly into either house or disco sets and can bridge the gap betwixt the twain.
already supported by dead rose music company, ali ooft, cole medina, horse meat disco, saint petersburg disco spin club…, ...

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts...

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

nice price deal !!! b-stock! cover with bent corner. andreas reihse starts his travel through the sound tracks of conrad schnitzler showing his producer and composer skills.
code for free mp3 download of this release included.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #14, love spin ep, can hardly be contained on a single plate of wax. all four tracks have been tested and audience approved!

this third outing expands further the mosso musical range, presenting alejandro mosso in some of his most rhythmic and yet, dreamiest atmospheres. unlike mosso002, which got the producer to hunt in his forgotten documents, both airs present on this record have been impetuously developed over the last few months. on the a-side, pleamar is a driving number which boots with a hypnotic metallophone pattern, slowly giving way into a electro (rga)nic piano fest, which in turn twists itself into bent, crushed and perverted synth whistles. this a-side has been designed keeping the lower half of the body in mind, offering full waves of joy and jubilation! now that you are grounded enough, how about flipping that record and meeting us on bajamar - low tide, litterally. on the shores of this b-side is where a wonderful landscape of shimmering spray and glistening stars await you. here again alejandros ability to bring together biotic and mechanic in a homogeneous unity is best revealed. in a magical tour de force, bajamar sends tingles from the base of your heels, up and all along your spine, into your crown, triggering instant wonder, reveries and realisations.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco no.13, ruff n stuff, can hardly be contained on a single plate of wax. all four tracks have been tested and audience approved! on the a, deep&discos rework of i wanna dance with somebody and alkalinos ruff n stuff are both stripped back and bass laden grooves. the b has two mid-tempo grooves from newcomer, debonair and portuguese duo, johnwaynes.

stefan goldmanns adem finally brings a new concept of handling melodies to the world of house and techno. pushy synths tuned to arabian intervals, playfully pitch bent around one repeated note that sticks to the kick as if its life depends on it. its as if a parallel universes acid has been invented in some lunatic asylum in tirana. this primitive melody is as alienatingly synthetic as it is offensively brain-dissolving. in the hands of a dj, adem” is like the captagon formula in the hands of the bulgarian secret service: many deaths, big bucks. chalga, tallava, manele - call it anything. the b-side’s rigid chain is as detuned, yet strictly limited to a rogue off-beat bassline pumping in between metallic house drums. thats it.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it s loosely connected to sleazy mcqueen and his assorted cohorts.

nice price deal !!! the bristol reggae explosion is back with a third volume. whilst still happily exploring what was happening in the city during the 1980s, they have bent the rules and included a lone track from 1979. if anything, this third volume is their strongest so far, an amazing achievement when you consider that most of the tracks are previously unreleased.
by popular demand, >bristol reggae explosion volume 3 – the 1980s part ii< has a strong leaning towards the roots side of reggae.

after releasing some cross-eyed dance floor burners on district of corruption, little helpers and bar25, pablo roman alcalá aka beaner brought some seriously sexy bent grooves over to brooklyn for those ever lasting late night benders. his first ep for thema was a dark and tangled ode to the drug-addled prose of author, denis johnson, which was well received by a slew of various deranged djs. this time he returns to stake his place on the dance floor with four deep, fractured after-hours jams. the name mixed doubles is apt, as youll find the pairings of unlikely elements on these tracks aligning nicely… before they are slowly pried apart. of course, thats when things truly get interesting

chasing voices returns for its 4th installment with an audacious reiteration of the projects uncompromising ethos and technique. >valley of the dry bones< operates on the peripheries of club music and far-sighted rock mutation, death march-disco for the ever-present sunburn of daily scourges and musical apathy. prospering from plentiful sentimentally-tinged stabs and a breathtaking, slow-churning progressive disintegration, >valley of the dry bones< hits intuitively and suddenly, a bent and bruised anthem for problematic times. despair can be celebrated, and celebration can be despairing—if anything the nyc collectives latest bomb seems to stem from a need to revive the cannibalism of a movement that has grown weary of its own cliches, to dissect itself and hopefully come out the other end better and new?? albeit scarred and never quite the same.

were you able to touch them – to render them tangible and actually trace the rhythms in yachts i walked alone – the lines would form steep hills and sudden cliffs that rise and drop off, again and again, at steep, sharp angles. the wiry funk and itchy bass move like a controlled spasm, convulsive and itchy, until the breakdown, when the nervous tension gets released in a series of cowbell clunks and a guitar solo that leaks out like a slow moving electric current. on this vinyl only collection of remixes, parisian duo get a room!, aka rove dogs and jeff masson, massage out the herk and jerk, making for a more relaxed and aurally warm take. the sound of things is far housier here – and more pop, in the very best way – owing to synths where there previously were none and angles newly bent and refashioned into smooth, circling cycles of disco-infused sound. and theres more from jacques renault, who contributes a remix both with and without vocals. the new york city dance music stalwart takes his time building to a plateau of perfectly paced beats and a wall of recurring dream(y) house rhythms. feels like music that fills the room, takes over your senses, and wraps you in its effervescence. - kali holloway

crossroads in cowtown explores a period in country music history when genres were being bent and boundaries smashed. focusing on western music, either produced in or influenced by californian studios and artists of the fifties, this compilation delves into the classic hillbilly sounds of the period and revels in the oddities created when disparate styles collide in the search for commercial success.
compiled by brighton-based dj shamblin sexton, crossroads in cowtown collects together a swinging selection of western pop tunes that brings on the hillbilly fever!

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco vol.11,its love on wheels, glides around the rink on a skate odyssey through boogie, country, deep house and new wave on a cosmic bent. with tracks by cole medina, yves saint laurant, anthony mansfield, disco tech and tres gueros. lace up your skates and hold that special someones hand for the next couples skate because, its love on wheels!

hiding behind their three character website is a belgian duo called goldffinch whose steep vision of dancefloor techno marries loveable little phrases of awkward computer conversation with the kind of kick drums that will rattle the windows of your neighbours house when your soundsystem is tweaked perfectly. goldffinch may well be a duo bent on keeping things simple but when the end result, which is built out of such minimal layers, is so arresting, there’s no need to change the formula. not one bit.

nang powerhouse sare havlicek bursts back into the synth-scape once more with the first track from his second nang album. sare is a firm favourite here in nang towers and the mercurial, slovenian dynamo has hardly stopped for breath since his last releases on nang (a well deserved new masters comp, a co-mix credit on beach disco and also as part of the transatlantic disco alliance ep). to remix vibe on you nang have called in the talents of fellow adriatic funkster ilija rudman, who places his seal-of-authority on the sonics and gets brassed up. uk based head of bear funk stevie kotey pairs up with this lightning-fingered-keyboard neighbour manestar to create a cool cross between haddaway & ten city. sare contributes an instrumental and a slowed down, pitch-bent, 115 bpm version. his slyly retiled nothing you can do version jumps forward 4 years to 1985, sounding like a long lost stock-aitken and waterman extended 12 dance cut. stay tuned for sare album number 2 later in the year. weve heard it.. its a goodie.

modernista make a very welcome return after dropping their now classic debut 12 on us last year the architect of that raw late 80s machine music homage, paul bennett is back in charge here one of pauls formative influences during his youth was the music made by the first wave of techno producers from detroit. this release attempts to bring back some of the drama and pure funk of that sound. electronic music for the head, heart and feet. immaculately programmed maydayesque drum machines, emotive & expansive pitch bent synths, thundering low frequencies and clanks galore. this is a supercharged rewiring of the detroit blueprint in three startlingly well executed flavours.

panther veil is the debut release on dublin based apartment records. over the 3 tracks london producer ncw explores various avenues of house music in a stripped back, unique fashion. opening with the slowburning, detroit-tinged swing of veil, the flip serves up the bent out of shape jack of my braindead acid, while panthers relentless late night groove rounds things off in a blurry haze

troy pierce, marc houle & magda team up to present their first ever trio release on items & things, >down & out vol 1< - which takes its name from their newly created party series - events that are based around the dark & intimate, off the radar, and under the ground. troy pierce starts things off with >majikal<, introducing the eps dark magic with a climbing bassline, scattering, almost anxious percussion and buoyant sound effects panned throughout. ominous atmospheres and weighted textures produce a cinematic accompaniment to surveyors of uncharted terrain. building a continual tension-and-release cycle, the track is a lucid whirlwind of sonic imagery and trickery, balancing visceral sounds with the otherworldly. magda teams up with suade, a producer & friend from newcastle that we are sure to see more of, together they bring forth a true builder, a creeper, the type of track that reveals itself more with each layering sequence. a masterclass in dynamics, >fixation< is a dark groove thats haunted by a chilling vocal, wavering synth vibrato, unexpected melodies, and juxtaposes of funk. angular drums hit alongside swells of percussive echoes but, the focus of the track revolves around the bassline’s movement. as catchy as it is esoteric. marc houles >slowpe< ends the ep with a slightly slower pace, but in a disconcerting way: taking it down a few notches this one that transports the listener to the strangest dimension yet. filtered melodies start the tracks ascent, sounding like a trumpet thats been bent out of shape and played from the void. with dark textures compactly knit into a condensed wall of sound, a low-slung bassline trades places with eerie chords and sparse percussion

luis flores delievers a great techno ep for micro.fon. packed with good stuff the two originals come along with 2 tool edits and two fat remixes. audio injection from the usa delievered a dubby dirty gritty stripped down tech version of >love your machine<. veteran of mexicos techno scene and years of pushing innovating and non-conforming concepts, luis has developed his own production style that is precise and hypnotic with a healthy degree of dance floor groove. his first release on droid recordings was enthusiastically lauded and put into heavy rotation by the likes of chris liebing and speedy j. already gaining momentum with interest from dj heavyweights and international tours in europe, china, the u.s. and elsewhere, he now offers 3 slabs of pure sizzling dark groove for micro.fons latest, including a remix by super-in-demand audio injection. support by: andreas henneberg, daniel sanchez, danilo vigorito, dj murphy, drumcell, jeremy p caulfield, joseph capriati, klein & meister, paco osuna, thomas krome, tommy four seven, tony rohr & many more.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it s loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco 8, tales from the gulch, showcases the razor sharp cutting skills of anthony mansfield. in addition to his releases on whiskey disco, he s recently showcased music on gomma, om, moodmusic, wurst and of course, his own, hector works. please choose your favorite, the top 4 will be on the vinyl release.
already support from: jacques renault, chris todd (crazy p), ant plate, ali herron (ooft), erol alkan, doc martin, kraak & smaak, dj harri, bonar bradberry, gavin hardkiss

its an exciting time for idle hands, as the fledgling label mutates into a many headed musical beast. after the bristol record shop rooted records sold its last chunk of wax late last year, idle boss chris farrell has carried the torch and opened the idle hands store on stokes croft in bristol city centre. just as the shop highlights idle hands dedication to its hometown, this latest release on the label marks the first time the music has come from outside the city limits. szare will probably not be a name familiar to many, having covertly established himself on the lauded horizontal ground label, basking in the stamped white label anonymity of deep, troublesome 4/4. now with this release and his syndrom z label, the producer steps just a little into the light to expose his unique abstractions on swung techno. >volya< ploughs a sparse and percussive furrow, while >action five< boasts a wistful, dreamlike melodic bent to leave you with two distinctly different, but equally enthralling cuts.

>daemon< is the third ep from kenton slash demons >the schwarzschild solution< trilogy and features remixes from axel boman<. tartelet records are proud to present this last ep from the momentous trilogy and feel confident that it will bum rush discerning dance floors with its unrelenting, seductive beats and yearning, melancholic bent. as you may already know, the name >the schwarzschild solution< is taken from karl schwarzschilds complex theory about gravitational pull and celestial bodies. this is heavy, elevated subject matter, which goes extremely well with the lofty artistic ambition and nuanced emotional disposition of the trilogy. and as you would expect it from the boys, >daemon< is a grand journey of larger-than-life proportions.